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Movie Review代写范文|《推销员之死》

来源:网络整理    作者:留学生活网    发布时间:2019-05-08 15:26    阅读: 次    文章分类:范文参考

文章关键词:Movie Review代写


文章导读:Death of a Salesman《推销员之死》被誉为“20世纪话剧的里程碑”,剧中的“美国梦”主题也被大家广泛讨论。今天我们为大家详细介绍如何解读Death of a Salesman《推销员之死》,内附美国大...
 
       Death of a Salesman《推销员之死》被誉为“20世纪话剧的里程碑”,剧中的“美国梦”主题也被大家广泛讨论。今天我们为大家详细介绍如何解读Death of a Salesman《推销员之死》,内附美国大学论文范文。范文内容和格式仅供大家参考学习之用,如有movie review代写需要请联系网站客服。
Movie Review代写范文
推销员之死剧照

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  Cinematic Storytelling:The Restaurant Scene in Death of a Salesman
 
  The restaurant scene in Death of a Salesman demonstrates a successful adaptation of Arthur Miller’s original stage play into film.In the play,the restaurant scene contains a break in the form of a flashback where a Young Bernard explains to Mrs.Loman that Biff flunked math(Miller 110).This flashback scene is a brief moment of“truth”that Willy remembers,puncturing the fantasy about his son as a success and also sets up Biff’s disillusionment of his father.The film omits this flashback scene because it detracts from the intense emotional buildup between Biff and his father.Instead,the camera,directing,and cinematography uses other means to show Willy’s inability to confront the truth.
       《销售员之死》中的餐厅场景展示了亚瑟·米勒将原舞台剧成功改编成电影的过程。在剧中,餐厅场景包含了一个闪回的形式,一个年轻的伯纳德向洛曼夫人解释比夫数学不及格(米勒110)。这个闪回场景是一个短暂的“真相”时刻,它将Y记得,刺穿了关于儿子成功的幻想,也建立了Biff对父亲的幻想破灭。电影省略了这一倒叙场景,因为它削弱了Biff和父亲之间强烈的情感积累。相反,相机、导演和摄影使用其他手段来显示Willy无法面对真相。钍。
 
  The camera’s positioning is a metaphor for the power relationship between Biff and Willy.Biff starts in a subservient position,kneeling before his seated father,explaining how his visit to Oliver was an eye-opener about how small and unimportant he is in real life.The camera angle captures this humbling,as the camera looks downward on Biff,as he looks up to his father.Biff’s stammering and flustered hand gestures reinforce his limited agency as Willy continually interrupts him with assertions based on the lie he built up around his son’s superiority.Happy stands behind Willy,urging his father on and supporting him.Biff partially accedes to Willy,lying that he has an appointment to see Oliver.But when Biff still persists in puncturing Willy’s illusion,Willy pushes Biff to the ground,chastising his son for disobeying his father,but also for continuing to challenge the narrative he established.
       摄像机的位置是比夫和威利之间权力关系的隐喻。比夫从一个屈从的位置开始,跪在他坐着的父亲面前,解释他对奥利弗的访问是如何让人大开眼界,说明他在现实生活中是多么的渺小和不重要。摄像机的角度捕捉到了这种卑微,因为摄像机向下看比夫,就像他一样。仰望父亲。比夫结结巴巴、慌乱的手势强化了他有限的代理权,因为威利不断地用他在儿子优越感周围所建立的谎言打断他。快乐站在威利后面,敦促父亲支持他。比夫部分地同意威利,谎称他有一个约会要做。但是当比夫仍然坚持刺穿威利的幻想时,威利把比夫推到地上,惩罚他的儿子不服从他的父亲,同时也继续挑战他所建立的叙述。
 
  However,in pushing a man when he is already“down”to the floor,Biff regains an inner strength.He stands up to his full height and bends over the seated Willy,thereby demonstrating a superior position.His stuttering ends and his hand gestures become more forceful as he tells his father he has no appointment.Willy tries to reassert his authority by wrapping his fist around Biff’s necktie and pulling his son’s face closer,but Biff retains a higher position;as Willy looks up into his son’s face,it seems his holding Biff’s tie is akin to grasping at straws.Biff refuses to lower himself to his father’s level.He raises his head,forcing his father to give up his hold as he tells Willy that he is no good.
       然而,当一个人已经“向下”推到地板上时,比夫又恢复了一种内在的力量。他站到最高点,弯腰越过坐着的威利,从而显示出一种优越的地位。他口吃的末端和手势变得更加有力,因为他告诉他的父亲他没有预约。威利试图重申他的权威。他用拳头搂住比夫的领带,把儿子的脸拉得更近,但比夫仍然保持着更高的位置;威利抬起头来看着儿子的脸,似乎握着比夫的领带就像抓着稻草一样。比夫拒绝把自己放低到他父亲的水平。他抬起头,强迫父亲放弃他对威利说的那样握着。他不好。
 
  The remainder of the scene supports this reversal of the power relationship between father and son.Willy hears echoes of the past,namely the woman whom he had an affair,laughing on the soundtrack.Her voice echoes across the film,demonstrating the presence of a flashback without the use of scene shifts and stage lighting,as in Miller’s play.The cinematographer reinforces this flashback scene through the violent red color scheme. Everything in the film that triggers Willy’s fantasy and flashback is bathed in red,usually reserved as a symbol of conflict(Bellantoni 28).The restaurant’s walls are red,Happy’s dates wear red clothing,and the hose that Biff has in his pocket—which Willy uses to try to commit suicide because of his realization of his unglamorous life—is also reddish.Fittingly,the only non-red items in the scene are his sons,Biff,who wears a dark blue and clashes with the color scheme as jarring as he clashes with his father,and Happy,who wears a neutral white as he supports Willy and also looks up to Biff.When Willy enters the washroom,he momentarily looks downward,as if realizing the truth of Biff’s words.The washroom,with its natural,dark wood panels,creates an atmosphere of brief reflection as Willy considers the truth of Biff’s words.Willy even cleans his glasses and stares at his reflection.But when he re-enters his flashback,the restaurant’s washroom transitions into the bathroom of his past,as he enters his mistress’s bedroom,which has the same red background as the restaurant.Her red lipstick and bare,pink skin re-asserts the passionate red color scheme.This time,however,the red highlights Willy’s adulterous passion and foreshadows Biff’s initial disillusionment with his father when he catches him with his mistress.
 
  While the film Death of a Salesman alters Arthur Miller’s work by removing some scenes,it strengthens the play by reinforcing the theme in what remains.The film adaptation of the restaurant scene in Act 8 omits the moment when Young Bernard reveals Biff flunked math, but it does so because the scene is superfluous.Rather,by using camera angles and color,the cinematography highlights the conflict between Biff and Will,highlighting the conflict through the setting that is silent in terms of dialogue,but loud in meaning.
 
  Works Cited
 
Bellantoni,Patti.If It’s Purple,Someone’s Gonna Die:The Power of Color in Visual
 
  Storytelling.New York:Focus Press,2005.Print.

Death of a Salesman.Dir.Volker Schlöndorff.Perf.Dustin Hoffman,Kate Reid,and John
 
  Malkovich.Roxbury Productions,1985.Film.

Miller,Arthur.Death of a Salesman:Certain Private Conversations in Two Acts and a Requiem.
 
  New York:Penguin Books,1997.Print.

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标题: Movie Review代写范文|《推销员之死》       地址:http://www.12y.org/a/news/fanwencankao/409.html

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